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Tag: Western

Kenny Rogers Has a Midlife Crisis in Wild Horses

Kenny Rogers says “Take this job and shove it” in Wild Horses.

No nobler a beard graced the small screen throughout the 1980s than that of Kenny Rogers, who stuck with made-for-TV movies (and wood-fired rotisserie chicken) after the box office underperformance of Six Pack, his feature film debut. Lost in the shadow of his popular Gambler series, you will find 1985’s Wild Horses sandwiched between the creatively titled The Gambler: The Adventure Continues and The Gambler: The Legend Continues.

If you’ve ever asked yourself what might’ve happened if The Night They Saved Christmas was produced by Menahem Golan and set in the Wild West with Rogers (or his equine counterpart, a majestic stallion) as Santa Claus, the answer is Wild Horses. Seemingly crafted for an audience of seven-year-old boys, with a little something tossed in for any maternal figures in their lives who might have flung underwear onstage at Wayne Newton concerts of yore, this finds Rogers staring down the barrel of a blue collar midlife crisis, wistful for his glory days as a champion rodeo cowboy.

Christmas at the Ranch: Cowgirl, Take Her Away

Laur Allen and Amanda Righetti in Christmas at the Ranch.

There has never been a believable cowboy in a made-for-TV Christmas romcom. Wearing clothing that’s curiously clean and unwrinkled at the end of the day, their faces caked in makeup, these down-home characters with chiseled jaws model looks that were cheaply assembled in the aisles of Kohl’s. Christmas at the Ranch, a lesbian take on Hallmark and Lifetime’s seasonal offerings, strikes a blow for equality by treating Amanda Righetti’s rancher, Kate, no differently.

The rebellious daughter of wealthy Kentucky horse breeders, Kate has toiled for several years at Hollis Hills, a farm on the verge of bankruptcy after Meemaw Hollis (Lindsay Wagner) refinanced it under usurious terms to pay the medical expenses of her now-deceased husband. Meemaw and grandson Charles (Archie Kao) make such a big to-do about Kate repairing a fencepost on her own—a task less arduous than assembling a baby gate or IKEA shelving—that it’s easy to see why the farm is insolvent. Everyone’s too busy bringing each other warm beverages and exaggeratedly tipping their hats to actually work.

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