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Tag: 2010s Films

Faye Dunaway Crashes A Family Thanksgiving

Faye Dunaway stuffs a turkey with dermal fillers in Hallmark’s A Family Thanksgiving.

There are those who will watch A Family Thanksgiving (2010) for the reassuring comforts of its adherence to Hallmark formula: nothing says the holidays quite like an ambitious, career-driven woman realizing the error of her ways in a festive family setting. A second, smaller group of us merely want to hear Faye Dunaway cry “Tina, bring me the carving knife!”, an opportunity that screenwriter Emily Baer senselessly squandered.

Minor consolation can be found in Dunaway’s Stevie Nicks meets Mother Goose wardrobe and ill-fitting wig, which might’ve been salvaged from a drag bar’s dumpster after a What Ever Happened to Baby Jane? revue. A Family Thanksgiving is also saucier than the average Hallmark offering, featuring both scatological humor and — heavens to Betsy! — sex. It’s not often you see the heroine tear off her love interest’s clothes in one of these movies, but don’t get too excited: it’s made less unseemly by a time-travel loophole that places the action within the bonds of holy matrimony.

Stalked by My Doctor: The Return Improves on the Original

Eric Roberts and Claire Blackwelder in Stalked by My Doctor: The Return.

When last we saw Dr. Albert Beck (Eric Roberts), the world’s second-most dangerous cardiothoracic surgeon, he was starting a new life as an international fugitive following a kidnapped patient’s daring escape from captivity. Stalked by My Doctor: The Return (2016) finds him in Acapulco, and one can only assume that Lifetime couldn’t afford to license the Four Tops’ “Loco in Acapulco,” which would’ve been the perfect soundtrack to a sequel that zestfully embraces the abject terribleness of its slightly more serious predecessor.

Its villain, now posing as a pediatrician named Victor Slauson, practices his own form of self-acceptance by ignoring the advice — and pharmaceuticals — offered by his psychiatrist, Dr. Clark (Tiffany Adams). Their online appointments convey Beck’s commitment to indulging his madness, as when he confidently tells the doctor of his plan to stalk 18-year-old Amy Watkins (Claire Blackwelder), who he recently saved from drowning. “I’m thinking I can date the mother, which would help me get closer to the daughter,” he muses. “The mom likes me, I can tell. But don’t worry, she won’t be bothering us for long.”

Twist of Faith: Toni Braxton Falls for an Orthodox Cantor

Toni Braxton and David Julian Hirsh in Twist of Faith.

Don’t be fooled by Lifetime’s promotion of Twist of Faith (2013) as an interfaith romance. This extraordinarily bizarre film, starring Toni Braxton as a Methodist gospel singer who unbreaks the heart of a grieving Orthodox cantor, is something rarer: a religious Rorschach test from the same network that brought us Trapped by My Sugar Daddy, Psycho Yoga Instructor and Baby Monitor: The Sound of Fear. Whether it leaves you feeling uplifted or appalled is a matter of (very) personal taste — and to a lesser extent, a reflection of your ability to perform rudimentary math.

Twist of Faith’s timeline is shockingly condensed: Nearly as soon as we meet teacher and cantor Jacob Fisher (David Julian Hirsh), his wife and three children are lost to a senseless act of violence. After sitting shiva in a nearly catatonic state, he leaves his personal belongings behind — including his kippah and tzitzit — and boards a southbound bus from Brooklyn, finding himself homeless in rural Alabama. When Nina Jones (Braxton), a fellow teacher, first spots him, it’s hardly love at first sight. “There’s a white guy sleeping over there by the church. Keep your eye on him,” she warns her uncle Moe (Mykelti Williamson).

Lifetime’s Cyberstalker Serves More Laughs Than Scares

Mischa Barton in Cyberstalker.

“Everybody’s got a stalker,” Alexis Rose asserts in the expanded lyrics of a “A Little Bit Alexis,” and given my own misadventures in being trailed online, I can’t entirely disagree. In Lifetime’s amusing Cyberstalker (2012), it’s Mischa Barton’s Aiden Ashley who captures the depraved attentions of an obsessive, but the Internet’s merely a gimmick. He tracks the teenager offline as well, eventually breaking into her house and murdering her parents, though the editing was such that I’m uncertain of his methods.

It’s the first of several strangely bloodless acts of violence he’ll commit in the course of the movie, with weapons including a motorcycle, a hacked traffic light and a taser. Why he does any of it, I haven’t the foggiest. How he came to fixate on Aiden, I couldn’t tell you. The screenplay, credited to Kraig X. Wenman, seems to have been composed by an online story generator that randomly inserts words like “IP address,” “algorithm,” “hard drive” and “server” into dialogue that almost never advances the plot.

House of Versace, Starring Cristal Connors

“I’m doin’ some of the finest cocaine in the world, darlin’. You want some?”

The genius of Lifetime’s House of Versace (2013) is most evident in its casting: Gina Gershon, Cristal Connors herself, stars as Donatella Versace (or is that Versayce?). It’s a choice that instantly conjures memories of Showgirls, setting the mood for glorious camp to follow. Gershon more than delivers the goods as a grieving sister who is 80% cocaine and 20% synthetic hair, rasping lines like “A hooker wouldn’t even wear this shoe!” and “Giving up my heels was harder than giving up cocaine” as naturally as Carmen Maura interprets Almodóvar.

In the movie’s first act, Donatella and brother Gianni (Enrico Colantoni, of the unfortunately titled fashion sitcom Just Shoot Me) frequently squabble like children, to the irritation of their more placid brother Santo (Colm Feore). “You both exhaust me,” he tells Gianni after the pair stage another spectacular workplace meltdown. When they inevitably kiss and make up, he complains “You two deserve each other.” Gianni is a doting brother and uncle (you’ve not heard “principessa!” so many times in one film since Life is Beautiful), but he’s not above telling his sister “I’m the sun and you’re the moon and your job is to reflect my glow.” Nor is she above hurling homophobic insults at him.

Luke Macfarlane Romances Candace Cameron Bure in A Shoe Addict’s Christmas

Luke Macfarlane and Candace Cameron Bure in A Shoe Addict’s Christmas.

It seems like only yesterday that I sexually harassed Luke Macfarlane on this very site, but it was in fact almost 15 years ago. How time flies! Since then, Macfarlane has continued to work steadily as an actor despite fears that coming out would hinder his career. His heartthrob status is reflected not only in his popularity among Hallmark viewers but in his recent high-profile gig as Billy Eichner’s leading man in Bros (now streaming on Peacock or Amazon), which billed itself as a landmark gay film but may ultimately be remembered for a sanctimonious publicity strategy that was unpersuasive to theatergoers.

I respect Macfarlane for coming out when he did and was disappointed for him that Bros was upstaged by its own hype. Since I’m reviewing holiday telefilms at the moment, I decided to look into his Hallmark catalogue and quickly hit upon A Shoe Addict’s Christmas (2018). It stuck out for several reasons, including Jean Smart’s third billing in the cast and its ridiculous title. But what really commanded my attention was the identity of his love interest. Macfarlane was paired with… Candace Cameron Bure (No One Would Tell). Bure needs no introduction to gay (and gay-friendly) audiences, so I’ll assume we’re on the same page about why this seemed worth investigating. Let’s reluctantly bypass the “Which one’s the shoe addict?” jokes and get down to business.

The Flight Before Christmas: A Pleasant Diversion

Mayim Bialik and Ryan McPartlin find love in a hopeless place (Montana) in The Flight Before Christmas.

Casting Mayim Bialik as a shiksa in a Christmas movie is like casting Fyvush Finkel as Santa Claus, a potentially controversial observation that might alarm new readers who don’t yet know I’m Jewish. Despite their likability, neither actor would be particularly believable to some viewers (raises hand) as an evangelical Christian or devout Catholic. The producers of Lifetime’s The Flight Before Christmas (2015), including Bialik herself, compromise by making her character, Stephanie Hunt, the product of an interfaith marriage.

Stephanie has a Jewish mother (of course) and a Catholic father. Jennifer Notas Shapiro’s screenplay makes this clear first when Stephanie’s mother guilts her about holiday plans over the phone, and again when Stephanie clarifies the matter for anyone who struggles to tell ethnic moms apart. To best friend Kate (Roxana Ortega), she mentions her “meddling Jewish mother” in the context of a familiar joke: “I swear, one of these days I’m gonna find out she called my gynecologist directly to inquire about my waning fertility.”

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