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Tag: Recovered Memories

Forgotten Sins: A Real-Life American Horror Story

Bess Armstrong and John Shea in Forgotten Sins.

Of the many horror stories to emerge from the recovered memory, satanic ritual abuse and multiple personality disorder crazes that swept the United States in the 1980s and early ’90s, you will find few more bizarre than that of the Ingram family of Olympia, Washington. Forgotten Sins (1996), a telefilm adaptation of Remembering Satan, journalist Lawrence Wright’s chronicle of that convoluted case*, attempts to condense their troubling tale into 90 minutes and largely succeeds, no small task for subject matter this complex and disturbing.

John Shea stars as Matthew Bradshaw, an upstanding sheriff and fanatical Christian—Paul Ingram, his real-life counterpart, spoke in tongues at church—who feels an inexplicable emotional estrangement from his daughters. “Why can’t I be affectionate with them? I want to be,” he tells wife Bobbie (Bess Armstrong, worlds away from the glamour of Lace), who runs an in-home daycare center. She earnestly suggests he discuss it with their pastor, Reverend Newton (Gary Grubbs), whose smarmy paternalism leaves traces of oil on the screen.

Betrayal of Trust: Judith Light Confronts a Predatory Doctor

Judith Light with Betty Buckley in Betrayal of Trust.

If you previously thought I was nuts for calling Judith Light the Maria Falconetti of American TV movies, wait until you hear my theory that her late ’70s arc on One Life to Live as housewife-turned-hooker-turned-murderer Karen Wolek is the soap equivalent to Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. Light’s legendary courtroom breakdown scenes as Wolek (seen here in a 1997 ABC retrospective hosted by Reba McEntire) contain some of the finest acting in the history of television and prepare us for her telefilm work to come, including 1994’s Betrayal of Trust.

Based on a true story, Betrayal recounts singer Barbara Nöel’s years of abuse at the hands of Jules Masserman, a psychiatrist and psychoanalyst played by Judd Hirsch with a nearly perpetual scowl. Nöel (Light) sought treatment for complaints including performance anxiety and Masserman suggested the “Amytal interview,” in which he administered the highly addictive barbiturate sodium amytal. “Your subconscious will reveal itself to you in new and exciting ways,” he assures her. “You know, Barbara, sometimes this world can seem like a very frightening place. But now you’ll begin to relax. To feel safe and happy. And all the bad feelings of the past will begin to melt, melt away.”

Schlocky Fatal Memories Trivializes Abuse

Dean Stockwell and Shelley Long in a scene from Fatal Memories (1992).

The best I can say about Fatal Memories (1992), a telefilm about recovered memories, is at least Shelley Long doesn’t have multiple personalities in it— watching her cry for 90 minutes as just one person is exhausting enough. (Masochists who want to see her grapple with that contentious diagnosis can consult the 1990 miniseries Voices Within: The Lives of Truddi Chase.)

Based on a controversial true story, Fatal Memories follows suburban homemaker Eileen Franklin Lipsker (Long, porcelain-skinned and chin quivering bravely throughout) as she recovers long-buried memories of an abusive childhood. The triggers can be as mundane as bathing or opening the refrigerator. Whatever your take on repressed memories, a once-popular concept that has since been scientifically discredited, I think we can agree this movie is best forgotten.

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