Look what the homosexuals have done to me!

Tag: Noble Suffering

Love Note, an ’80s Teen Romance Costarring Jesus

Screen shot from the film Love Note (1987).
Craig Bierko and Sally Murphy fall for each other, and Jesus, in Love Note.

Watching Love Note, a 1987 Christian movie for teens that plays like an episode of Highway to Heaven, you see hints of things to come for lead actor Craig Bierko. Craig Johnson, his fast-talking salesman of a high school student, isn’t so different than Harold Hill, the slick Music Man role for which Bierko was Tony-nominated 13 years later. In Love Note, he’s simply peddling a different product than Hill—salvation.

Our introduction to this precocious teen gives us a lot to digest. Standing before his classmates for a speech assignment, he recites a well-oiled (but still squeaky) spiel that sounds like the work of a middle-aged “How do you do, fellow kids?” youth pastor. It kicks off with a knee-slapper of an anti-choice joke:

Craig: Good morning, and welcome to the morning edition of Point of View. My name is Craig Johnson and I’ll be your host for this morning’s controversy. I was gonna talk about abortion, but, uh, homicide seems like a real ugly way to start the day.

[Classmates laugh appreciatively]

Love Note (1987)

Judith Light’s Lover Befriends Her Ailing Husband in A Strange Affair

Judith Light and William Russ in A Strange Affair (1996).

Adjust your elegantly styled wigs, for we’re about to delve into a scandalous Judith Light romance that’s one of the better TV movies I’ve reviewed here so far, even though no one sleeps with danger or impregnates a nun played by Kristy McNichol. What we have instead is a good old-fashioned tale of a long-suffering wife, Lisa (Light), whose philandering husband, Eric (Jay Thomas), has a debilitating stroke just hours after she finally leaves him. Oh, and the new lover, Art (William Russ), who patiently helps her provide in-home care for her estranged husband even as they’re shunned by friends and family because of their unconventional arrangement.

Just Between Friends, a Mary Tyler Moore Vanity Project from Hell

Lou Grant would not approve.

When I think about the 1980s and its enduring cinematic celebrations of the decade’s twin passions of aerobics and bad taste, Just Between Friends, a Mary Tyler Moore vanity project from hell, outranks even Perfect. That James Bridges film, in which Jamie Lee Curtis and John Travolta gyrate their way to cardiovascular fitness—and love—will one day earn a post of its own, but today we probe the shameless and admittedly shallow depths of Just Between Friends.

A modest, unintentionally mortifying monument to the self-obsession of celebrity, here we have a film starring Mary Tyler Moore that was written, directed and produced—under the auspices of her MTM Productions—by Allan Burns of Mary Tyler Moore Show fame. (He also penned the Kristy McNichol vehicle Just the Way You Are.) Much of that classic sitcom’s finest humor sprang from its sly, playful framing of arrogant characters. There’s arrogance to spare in Just Between Friends, but the filmmakers don’t realize it’s their own, or that it’s funny.

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