It’s not every day that you dust off a 1931 pre-code Barbara Stanwyck film because of a ’90s-era Cheryl Ladd TV movie, but I wouldn’t mind if it happened more often. While toiling on an upcoming post about Ladd’s Dancing with Danger (1994), in which she played a taxi dancer, I was reminded of Stanwyck’s turn as a woman in the same profession in Ten Cents a Dance.
Stanwyck is my favorite American actress. This is a play on the possibly apocryphal Clifton Webb quote about her (“My favorite American lesbian,” discussed more below), but it’s also the truth. Behind my desk is a framed original insert poster for There’s Always Tomorrow, and I own nearly all of her films that have been released on DVD. When, years ago, I cheekily volunteered to die for assorted femme fatales, Stanwyck didn’t make the list. That’s because I would’ve been a comically dazed Henry Fonda in her presence, not a Fred MacMurray.
Ten Cents a Dance is one of her least scandalous pre-code films, and has strange origins. It is, as the credits note, “based upon the popular song by Lorenz Hart and Richard Rodgers.” Stanwyck plays Barbara O’Neill, a young woman with dim prospects employed at the Palais de Dance. When a crude, tobacco-chewing sailor asks “What’s a guy gotta do to dance with you gals?” Barbara replies with half a sneer, “All you need is a ticket and some courage.” Her irritation is palpable as he drags her across the floor.
Cranky Lesbian is a disgruntled homosexual with too much time on her hands. Click for film reviews or to follow on Instagram.
