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Tag: Lindsay Wagner

Passions: Lindsay Wagner and Joanne Woodward Brawl at a Funeral

Joanne Woodward rumbles with Lindsay Wagner in Passions.

There’s a quiet dignity to the way Joanne Woodward instigates a catfight with Lindsay Wagner at her straying husband’s funeral in Passions (1984). Catherine Kennerly, her patrician homemaker, doesn’t want to engage in fisticuffs, but what else is she to do when Wagner’s Nina Simon, the other woman, has the temerity to attend his church service and dab her eyes in front of God and everyone? Confronting Nina in private, a seething Catherine exclaims “You are filth!” — and still her rival persists, asserting her right to be there.

“I think you’d better leave before you make a fool of yourself,” the younger woman coolly replies. Having silently choked on her anger throughout the priest’s eulogy (“He was that rare individual who really cared about his fellow men, and acted upon his feelings”), Catherine is thrilled to have a living target for her rage. Then Nina drops a bombshell: she was with Richard (Richard Crenna) for eight years, and they have a six-year-old son together. The widow launches herself at the stylish marital interloper almost automatically, propelled as much by grief as fury.

Christmas at the Ranch: Cowgirl, Take Her Away

Laur Allen and Amanda Righetti in Christmas at the Ranch.

There has never been a believable cowboy in a made-for-TV Christmas romcom. Wearing clothing that’s curiously clean and unwrinkled at the end of the day, their faces caked in makeup, these down-home characters with chiseled jaws model looks that were cheaply assembled in the aisles of Kohl’s. Christmas at the Ranch, a lesbian take on Hallmark and Lifetime’s seasonal offerings, strikes a blow for equality by treating Amanda Righetti’s rancher, Kate, no differently.

The rebellious daughter of wealthy Kentucky horse breeders, Kate has toiled for several years at Hollis Hills, a farm on the verge of bankruptcy after Meemaw Hollis (Lindsay Wagner) refinanced it under usurious terms to pay the medical expenses of her now-deceased husband. Meemaw and grandson Charles (Archie Kao) make such a big to-do about Kate repairing a fencepost on her own—a task less arduous than assembling a baby gate or IKEA shelving—that it’s easy to see why the farm is insolvent. Everyone’s too busy bringing each other warm beverages and exaggeratedly tipping their hats to actually work.

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