Look what the homosexuals have done to me!

Tag: Kristy McNichol

Just the Way You Are: A Different Kind of Comedy

Kristy McNichol disguises her handicap in Just the Way You Are.

“Don’t you sometimes wish you could just meet someone who’d carry you off and take care of you?” Susan Berlanger (Kristy McNichol) asks her friend Lisa (Kaki Hunter) in the opening moments of Just the Way You Are (1984). It’s a funny sentiment coming from a character so ambivalent about all the amorous attention she attracts wherever she goes.

Susan, a flautist about to embark on her first recital tour in Europe, is catnip to men. Her quick wit, adversarial posturing, dazzling smile and structurally complex hair even win admirers over the phone. Jack (Lance Guest of Please Mom, Don’t Hit Me), an answering service operator, is so smitten that he knocks on her door in a gorilla suit. He scampers away just as quickly after noticing her leg brace.

A Dog’s Life in Two Acts

“What’s next, chief, eating trash? Harassing rabbits?”

Muriel and I have been coworkers since our first week together. (Her name isn’t really Muriel, that’s an alias selected because she’s frequently told “You’re terrible.”) For our first year together, we worked from an office where she made new friends every day. Since then, we’ve worked from home.

Every morning, including weekends, she follows me into the office and looks at me expectantly. Her preference is obviously for an exotic wilderness assignment, maybe a bit of bird-chasing or ritual squirrel murder. Then she watches me sit at the desk and open my computer, and perhaps notices the nearby stack of ’80s celebrity tell-alls and Kristy McNichol DVDs.

Rue McClanahan Plans a Wedding and a Funeral in Mother of the Bride

The ever-expanding Becker-Hix family in Mother of the Bride.

What a whirlwind of a week it has been. It was only Monday that I first met the Becker-Hix family, who had gathered to quarrel, self-destruct, and reveal the occasional secret in Children of the Bride (1990), all while celebrating their mother’s marriage to a significantly younger man. And it seems like just yesterday (because, in fact, it was) that Baby of the Bride (1991), its first sequel, incensed me by turning that amiable husband into a floppy-haired jerk who threw a 90-minute fit when his wife wouldn’t have an abortion.

To say my hopes weren’t high for the final entry in this made-for-TV trilogy, 1993’s Mother of the Bride, would be an understatement. How surprised I was, then, to find this the most enjoyable installment of all. In the words of Vanessa Williams, “Just when I thought our chance had passed, you go and save the best for last.” That’s right, stars and executive producers Rue McClanahan and Kristy McNichol, that song is dedicated to you.

Rue McClanahan Explores Geriatric Pregnancy in Baby of the Bride

McNichol gave birth to a baby girl; McClanahan a bouncing baby wig.

When last we met, dear reader, we were enjoying the emotional highs and lows of Children of the Bride (1990), in which Rue McClanahan’s offspring squabble against the backdrop of her wedding to a younger man. Baby of the Bride (1991) picks up shortly thereafter, as Margret (McClanahan) and John Hix (Ted Shackelford) return from their honeymoon, but instantly we see things have changed.

The camera lingers on a recreation of the wedding photo from Children. Patrick Duffy has been replaced by his Dallas castmate Shackelford. Dennis, the son who can’t keep his pants zipped, is now played by John Wesley Shipp in place of the more lighthearted Jack Coleman. Their faces are curiously free from bruises, reminding us that the centerpiece of the first film was a kooky brawl the night before the wedding that left a mark on several characters.

Rue McClanahan’s Matriarch Trilogy Begins with Children of the Bride

Children of the Bride‘s one big happy family

While I’m stuck on the couch for the next couple weeks, having been told to avoid the Omicron surge while immunosuppressed, the timing seems right to dedicate myself to the study of one of the holiest trilogies in cinematic history: Rue McClanahan’s made-for-TV Bride series.

This is where it all began, folks, in 1990, with Children of the Bride. The credits, including “Special Guest Star Patrick Duffy” and “Music by Yanni,” hint at something memorable. Things begin promisingly, with Kristy McNichol dressed as a nun, and of course I’m here with a screen cap for those of you who are into that sort of thing. And who’s that over there, once again not acting too homosexual? Why, it’s Dynasty’s second Steven Carrington! They are but two of McClanahan’s many kids, one more troubled than the next.

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