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Tag: Family Drama Page 1 of 6

When the Vows Break: Patty Duke’s Fight for Justice

Patty Duke and Art Hindle in When the Vows Break.

When she wasn’t crash-dieting or beating her son, Patty Duke partook, as so many actors did, in the time-honored TV movie tradition of crusading for justice. She challenged everything from unsafe schools (The Violation of Sarah McDavid) to the FDA (Fight for Life), while also making time to repeatedly solve her children’s murders (A Killer Among Friends and A Matter of Justice). As Barbara Parker in 1995’s When the Vows Break (also known as Courting Justice), her target is not her estranged husband — she already knows he’s a putz — but the morally compromised jurist presiding over their divorce.

Judge Wendell Adams (Robin Gammell, face fixed in a perma-scowl) opposes divorce so zealously in his family courtroom that he denies a petition based “on insufficient grounds,” arguing that marriage does not require love. Though Barbara and Art (The Silence of Adultery’s Art Hindle) started dating as teens and she worked alongside him as they built a multimillion-dollar construction fortune, she is awarded only 2% of their marital assets. She’s also granted alimony that’s unsecured and subject to revision on the whims of both Art — a financial abuser and obfuscator whose money is his only means of control — and Adams, a clear misogynist.

Baby for Sale: Dana Delany Child-Shops on eBay

Dana Delany’s a tough mother in Lifetime’s Baby for Sale.

The problems start when Nathalie Johnson (Dana Delany), desperate to adopt, goes online without parental supervision. It’s 2004, and while you could engage in human trafficking on Craigslist and Backpage then, Target didn’t yet offer BOGO sales on human infants.* Dejected after another fruitless meeting with an expectant mother, Nathalie searches for ‘adoption’ and clicks the first result. She impulsively submits an application that requires financial disclosure and is soon offered Gitta, a four-month-old from Budapest.

Surgeon husband Steve (Hart Bochner) and their adoption lawyer, Kathy (Ellen David, exuding Roma Maffia energy), urge caution. They’re based in Minnesota and the baby broker, Gábor Szabó (Bruce Ramsay) — not to be confused with the guitarist — is in New York. “I have no way to properly screen him,” Kathy warns. “This is a man we know nothing about. There’s a lot of risk here.” The red flags only multiply once the Johnsons travel to meet Gitta, but Nathalie, already a stepmother to Steve’s son, is blinded by her desire for a child to call her own.

Passions: Lindsay Wagner and Joanne Woodward Brawl at a Funeral

Joanne Woodward rumbles with Lindsay Wagner in Passions.

There’s a quiet dignity to the way Joanne Woodward instigates a catfight with Lindsay Wagner at her straying husband’s funeral in Passions (1984). Catherine Kennerly, her patrician homemaker, doesn’t want to engage in fisticuffs, but what else is she to do when Wagner’s Nina Simon, the other woman, has the temerity to attend his church service and dab her eyes in front of God and everyone? Confronting Nina in private, a seething Catherine exclaims “You are filth!” — and still her rival persists, asserting her right to be there.

“I think you’d better leave before you make a fool of yourself,” the younger woman coolly replies. Having silently choked on her anger throughout the priest’s eulogy (“He was that rare individual who really cared about his fellow men, and acted upon his feelings”), Catherine is thrilled to have a living target for her rage. Then Nina drops a bombshell: she was with Richard (Richard Crenna) for eight years, and they have a six-year-old son together. The widow launches herself at the stylish marital interloper almost automatically, propelled as much by grief as fury.

Deadly Whispers: Tony Danza’s Odd Turn as a Murderous Father

Tony Danza and Pamela Reed in Deadly Whispers.

Imagine Tony Danza in a frilly dress and sun hat, clutching a parasol and drawling “Fiddle-dee-dee! Ashley Wilkes told me he likes to see a girl with a healthy appetite!” and you’ll have some idea of the absurdity of his casting in Deadly Whispers (1995). The extent to which he mangles an exaggerated Southern accent is hard to overstate; when he says “Yo missin’ The Waltons” (rather than “You’re missing”) only 10 minutes into the movie, you might laugh harder than you ever did at Who’s the Boss?

Unfortunately for Danza, Deadly Whispers isn’t supposed to be funny. In this thinly veiled dramatization of the 1987 murder of Kathy Bonney, he plays Virginia salvage yard owner Tom Acton, the last person to see his troubled teenage daughter Kathy (Heather Tom) alive before she disappears. A high school dropout who answers the phones at Tom’s business — he doesn’t need the help but refuses to let her out of his sight — she defiantly teases her hair and bares her midriff in pursuit of a married coworker.

A Mother’s Justice: Meredith Baxter Goes Charles Bronson

Meredith Baxter and G.W. Bailey in A Mother’s Justice.

There are worse tales of maternal vigilantism than Meredith Baxter’s A Mother’s Justice: John Schlesinger’s notorious Eye for an Eye, starring Sally Field, springs immediately to mind. But don’t take that as an endorsement of Baxter’s film, which premiered on NBC in 1991 and found a second home on Lifetime. It’s still quite bad, just not as grotesque as Field’s revenge fantasy. The closest it comes is a misguided scene at an Italian restaurant that brings new meaning to the slogan “When you’re here, you’re family.”

Justice, directed by Noel Nosseck (No One Would Tell), opens suspensefully, with a predator prowling the streets. His abduction of Debbie (Carrie Hamilton), a 23-year-old aspiring nurse, is more graphic than her subsequent rape, which she immediately reports to police. Det. Bogardus (Blu Mankuma) assures her it wasn’t her fault and awkwardly tells her “I know I’m the same color as the man who attacked you, but I just want you to know, we get ’em in all colors. Like I said, don’t worry. If he goes on, we’ll get him.”

Doing Time on Maple Drive: A Favored Son’s Gay Secret

James Sikking, William McNamara and Bibi Besch in Doing Time on Maple Drive.

Before there was Beverly Sutphin, Serial Mom’s murderous matriarch, or Joanna Kerns in Mother Knows Best, there was steely social striver Lisa Carter (Bibi Besch) of Doing Time on Maple Drive (1992). So obsessed is she with making the right impression that you’re forgiven for wanting to shout “Don’t go in there, she has a knife!” at son Matt (William McNamara) when he ventures into the kitchen following a bruising family fight.

Though she’s only preparing dinner, Lisa’s so incandescent with rage over Matt’s broken engagement to Allison (Lori Loughlin, poignantly pretty, with the depth of a thimble), the wealthy daughter-in-law of her dreams, that you half-expect her to stab him. “You’re just going to let him get away with it?” she challenges husband Phil (James Sikking), a rigid military man turned restaurateur. “With embarrassing us? With humiliating us?” Who knows how she’d react if he wore white after Labor Day.

Right of Way: Bette Davis and Jimmy Stewart’s Suicide Pact

Bette Davis and Jimmy Stewart cuddle and fantasize about death in Right of Way.

If I told you that Bette Davis and Jimmy Stewart costarred in an HBO movie about an elderly couple in a suicide pact, you’d probably think I was yanking your chain — and that’s without mentioning that Stewart’s character nibbles on cat food* or that Davis makes tuna casserole, something she certainly never did as Charlotte Vale, Judith Traherne or Margo Channing. It happens in the long-forgotten Right of Way (1983), which was produced in the network’s pre-Michael Patrick King era. In laymen’s terms, that means our octogenarian protagonists keep their clothes on and don’t break up with their daughter via Post-it note.

Instead, Miniature ‘Mini’ Dwyer (Davis, and there’s a long story behind that diminutive) and husband Teddy (Stewart) summon daughter Ruda (Melinda Dillon) to their Los Angeles home, which she finds unkempt and overrun with stray cats. Mini explains their lack of concern: “You see, we’re not worried about the house, the lawn these days, or the cats’ bowls or the weeds. We aren’t worried about any of it. We know we haven’t been attending to these things. We’re not blind and we haven’t forgotten. In fact, it’s just the opposite. We have chosen not to.” Indeed, they’ve been busy with weightier matters, like plotting their deaths.

Twist of Faith: Toni Braxton Falls for an Orthodox Cantor

Toni Braxton and David Julian Hirsh in Twist of Faith.

Don’t be fooled by Lifetime’s promotion of Twist of Faith (2013) as an interfaith romance. This extraordinarily bizarre film, starring Toni Braxton as a Methodist gospel singer who unbreaks the heart of a grieving Orthodox cantor, is something rarer: a religious Rorschach test from the same network that brought us Trapped by My Sugar Daddy, Psycho Yoga Instructor and Baby Monitor: The Sound of Fear. Whether it leaves you feeling uplifted or appalled is a matter of (very) personal taste — and to a lesser extent, a reflection of your ability to perform rudimentary math.

Twist of Faith’s timeline is shockingly condensed: Nearly as soon as we meet teacher and cantor Jacob Fisher (David Julian Hirsh), his wife and three children are lost to a senseless act of violence. After sitting shiva in a nearly catatonic state, he leaves his personal belongings behind — including his kippah and tzitzit — and boards a southbound bus from Brooklyn, finding himself homeless in rural Alabama. When Nina Jones (Braxton), a fellow teacher, first spots him, it’s hardly love at first sight. “There’s a white guy sleeping over there by the church. Keep your eye on him,” she warns her uncle Moe (Mykelti Williamson).

Kate Jackson Fools Around in The Silence of Adultery

Kate Jackson and Robert Desiderio in The Silence of Adultery.

The loftiness — and supreme silliness — of The Silence of Adultery’s title drew me in because it was almost Bergmanesque. Doesn’t it conjure mental images of Erland Josephson or Max von Sydow meeting Harriet Andersson or Ingrid Thulin in a barn in rural Sweden for joyless assignations before an indifferent, possibly nonexistent God? And while we’re asking unserious questions, if your adultery is silent does that mean you’re doing it wrong?

This 1995 Lifetime movie isn’t prurient enough to provide an unequivocal answer, but there isn’t much heat between the married Rachel Lindsey (Kate Jackson) and Michael Harvott (Robert Desiderio), a recently separated father. They’re introduced when Michael brings his nonverbal son to the barn where Rachel offers equine therapy to autistic kids. Her qualifications are unclear — the script says she isn’t a doctor, despite IMDb calling her one — and don’t matter, anyway. Autism is merely a plot device to introduce the lovers.

Connie Sellecca Cries and Commits Bigamy in She Led Two Lives

Connie Sellecca and Perry King in She Led Two Lives.

We meet Rebecca Cross (Connie Sellecca), a 35-year-old flannel enthusiast with a flawless complexion and unfortunate bangs, when she’s hauled off to jail in handcuffs. Suspenseful music plays as she’s booked — what crime did the mild-mannered cancer researcher commit? For the answer, let us turn to one of Barbra Streisand’s greatest hits: Rebecca is “A Woman in Love.” And she’ll do anything to get Mike (A Martinez) into her world and hold him within, even if it means committing bigamy. It’s a right she defends over and over again.

Rebecca is already married to Jeffrey (Perry King of Inmates: A Love Story), a dashing surgeon. Weeks earlier, he slid a bracelet onto her wrist for their seventh wedding anniversary and proposed a toast: “To Rebecca. I didn’t think it was possible but I love you more today than the day we were married.” And then he is paged to the operating room, a familiar conclusion to their nights together. Her loneliness is accentuated by her father’s deathbed regret at not spending more time with loved ones, a fate he implores her to avoid.

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