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Tag: Andy Griffith

The Demon Murder Case: Guest-Starring Harvey Fierstein as Satan

Andy Griffith and Beverlee McKinsey scour their Demon Murder Case contracts for an escape clause.

When we look back on our childhoods, who among us can’t fondly recall being possessed by murderous demons? Reading IMDb’s plot summary of The Demon Murder Case, a 1983 telefilm, I felt stirrings of nostalgia and decided to track down this horror flick that was sure to play like a home movie. Sadly, the synopsis — “A young boy is taken over by demons who force him to commit murder” — is deceptive. The worst that Demon’s bedeviled pipsqueak Brian Frazier (Charlie Fields) does is anger a sputtering bishop (Burning Rage’s Eddie Albert, sounding more like a revivalist grifter) by blowing raspberries at God.

There is a murder, committed by an adult late in the film, that comes out of nowhere. Its circumstances, in keeping with the rest of The Demon Murder Case, are nonsensical. The screenplay, credited to William Kelley (soon an Oscar winner for Witness), isn’t just inchoate, it is genuinely imbecilic. If you wish to understand the particulars of how a malevolent spirit called the Beast came to reside within Brian, or how it hopscotches into the body of another character, you’re out of luck. This courthouse exchange between Brian’s sister and a reporter typifies the quality of the writing:

Joan: What did you do, then, to get rid of the devil in [Murderer]?

Nancy:  Well, we haven’t done anything for [Murderer] as of yet. But he still definitely needs a full exorcism.

THE DEMON MURDER CASE (1983)

Gramps: Andy Griffith Romps as a Homicidal Grandfather

Andy Griffith strikes a match in Gramps.

“Sometimes things happen between grownups that’s hard for kids to understand,” Gramps’s Jack MacGruder (Andy Griffith) gently counsels his grandson Matthew (Casey Wurzbach), whose parents are fighting again. (Wurzbach was last seen enduring yet another domestic ordeal in Because Mommy Works.) He might as well be addressing viewers who are similarly confused about the plot of this made-for-TV movie, which premiered on NBC in 1995 and also aired under the title Relative Fear.

Jack, a retired musician who claims to have worked with the likes of Hank Williams and Elvis, enjoys a rapprochement with his long-estranged son Clarke (John Ritter), a successful lawyer, following a death in the family. Eager to win Matthew’s affections, he plies the boy with ice cream and candy bars, tosses him a football and teaches him how to climb a tree. He kindly refrains from instructing him in arson, a skill we already know he’s mastered from Gramps’s opening scene.

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