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Tag: Adrienne Barbeau

Valentine Magic on Love Island Offers ’70s TV Nostalgia Galore

Adrienne Barbeau and Janis Paige in Valentine Magic on Love Island.

Cheesier than a 32 oz. Velveeta loaf, Valentine Magic on Love Island (1980) was a trifle intended to entertain not only parents but the children they’d conceived while rolling around on shag carpets to Herb Alpert & the Tijuana Brass. Combining the worst of The Love Boat and Fantasy Island — director Earl Bellamy (Flood!) was a veteran of both — it opens with grating tropical theme music even more hilariously horrible than Cloris Leachman’s Someone I Touched ballad.

As we’re introduced to a slew of characters bound for the mysterious island — one wins a paid trip, another is written a Love Island prescription by his doctor, and so on — we’re reminded of 1974’s Death Cruise. In that ABC Movie of the Week, featuring luminaries such as Tom Bosley, Kate Jackson and Celeste Holm, tourists were picked off by an assassin aboard a massive cruise ship. Much to our disappointment, no one is murdered on Love Island.

Have I Got a Christmas for You: A Very ’70s Hallmark Take on Jewish-Christian Relations

Herb Edelman and Don Chastain pray in Have I Got a Christmas for You.

On the count of three, readers, let us sing in unison: “We wish you a Jewish Christmas, we wish you a Jewish Christmas. We wish you a Jewish Christmas and a goyish New Year.”

That’s all I could think of at the start of Hallmark’s unusual 1977 holiday television presentation, Have I Got a Christmas for You, which opens with Milton Berle tossing a few bucks to a bell ringer dressed as Santa Claus. Directly approaching the camera afterward, he begins his narration: “As you may have guessed, our story has to do with Christmas. Which, in itself, is not exactly unusual this time of the year. Except for one thing—it began some weeks ago in Temple Beth Shalom, at a board of trustees meeting.”

By then I was already nervous, I’ll confess, and half-expected a cut to an assembly of shadowy money lenders, even though Uncle Miltie grew up as Mendel Berlinger and was unlikely to lead us astray. “I was convinced it would end in disaster,” he admits, as we join a contentious meeting already in progress, with Sydney Weinberg (Jack Carter) making an unusual proposal: That the synagogue perform “a gesture of goodwill and thanks to our Christian neighbors” by covering for essential workers on Christmas Eve, as an Italian coworker did for him ahead of Yom Kippur.

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