Look what the homosexuals have done to me!

Author: Cranky Lesbian Page 18 of 54

Cranky Lesbian is a disgruntled homosexual with too much time on her hands. Click for film reviews or to follow on Instagram.

The Secret Night Caller: Psst—Mike Brady’s a Perv!

Robert Reed looks sinister in his car in an image from The Secret Night Caller.
Robert Reed plays a family man with a shameful compulsion.

The Secret Night Caller begins atmospherically enough. A woman walks home alone at night, carrying a grocery bag. She picks up the pace when passing a creepy man who smiles at her and then seems to follow her into the building. Inside her apartment, she locks the door with a sigh of reliefand, seconds later, the phone rings.

Before there was Scream‘s iconic opening scene, in which a mystery caller terrorizes Drew Barrymore’s character, there was this, in a 1975 made-for-TV movie. The woman picks up the receiver and is greeted by that scourge of the pre-caller ID era, the obscene caller. We only hear her side of the conversation: “Hello? Oh, yes, this is Charlotte, who’s this? Well, I’m fine, thank you, but who’s this? I’m sorry, could you speak louder? I can’t hear you.”

Charlotte (Arlene Golonka, of The Andy Griffith Show and Mayberry R.F.D.) grows dismayed, then hysterical. “What?! What did you say?! Hey! Hey, who is this? Who are you? No, stop that! Don’t talk like that! Oh, stop it, stop it!” she shrieks, dropping the phone. That’s how my wife typically reacts to fundraising calls from her alma mater, so it didn’t alarm me too much, but Charlotte’s fright is meant to be contagious.

In Thin Ice, Kate Jackson Romances Her Student

Screenshot of Gerard Prendergast and Kate Jackson in Thin Ice.
There’s probably more than one flagpole in this scene from Thin Ice.

Oh, the unexpected treasures that abound in Thin Ice, a strange little teacher-student romance that walked so A Night in Heaven (1983) could gyrate run. In this 1981 made-for-TV oddity you’ll look on, aghast, as Lillian Gish encourages her granddaughter, a high school teacher and Charlie’s Butchest Angel, to sleep with one of her students. You’ll stare in disbelief as a dead cat is placed on somebody’s doorstep, wearing a tiny bespoke noose. By the end, you’ll have no idea why anyone thought this was a good idea, but you may want to watch it again.

In the Arms of a Killer: Jaclyn Smith’s Absurd Detective Film

Jaclyn Smith solves a series of murders in In the Arms of a Killer.

Knowing as we do that Jaclyn Smith’s hair has been solving crimes since the mid-1970s, it was mildly surprising to see her as a rookie detective in 1992’s In the Arms of a Killer. Smith’s Maria Quinn looks close to 50 and exudes a soft-focus sophistication that puts her at odds with Vincent Cusack, her flashily besuited, cigar-chomping new partner. Cusack, a gruff motormouth played with panache by John Spencer, is immediately suspicious.

After confirming his hunch that she’s from a privileged background, he cuts to the chase: “Nobody gives anybody anything. What’s your juice, Quinn?” She answers, “I was married to a cop who was killed on the job. The brass gives me anything I want.” It’s one of our first indications we aren’t in for gritty realism, despite the film’s Sidney Lumet aspirations.

Angie Dickinson Wields a Badge (Again) in Prime Target

Angie Dickinson shoots to kill in Prime Target.

Eleven years after Angie Dickinson last nabbed a perp as Sgt. Pepper Anderson on Police Woman, she was back in the hunt in Prime Target (1989). This made-for-TV movie reunites her with Police Woman creator Robert L. Collins, who writes and directs. As veteran NYPD Sgt. Kelly Mulcahaney, she’s both predator and prey while investigating crooked cops who’ve been murdering women on the force, and Dickinson seems uncharacteristically peeved.

“So, why am I heading this task force?” she asks after being handed the assignment by Commissioner Peter Armetage (David Soul, who looks amusingly louche behind his giant desk). “Because you’re one of the highest-ranking female homicide detectives we’ve got,” he answers. “Because you’re on the women’s committee. Because I requested you, personally.” They have a history, of course, and that’s where the hardboiled dialogue begins:

Kelly: You know what they’re gonna say about this. About us. Again.

Peter: Kelly, Kelly, Kelly. My friend.

Kelly: Not anymore, I’m not.

Peter: How’s Judge What’s-His-Name?

Kelly: How’s your wife?

Peter: God, you’re tough. Why are you so tough, huh?

PRime target (1989)

On her way out she tells him, “Oh, and by the way, happy birthday, Peter. I’d have brought you a present except” she shrugs “what do you give someone who’s had everybody?” We trust that Kelly’s formidable, but Dickinson appears bored in another of her tough-broad-in-a-man’s-world roles. She dutifully pauses after each barb lands, her mind possibly wandering to that night’s dinner plans.

Low to the Ground, Loves to Chase Birds

Muriel, looking disreputable.

Springtime is here and soon I will celebrate the anniversary of my dog’s adoption. We’ve packed a lot into the last four years, both good and bad, and this is my tribute to herincluding a rare photo of your mysterious blogger in the wild. Without further ado…

Part I: The Doggening

Muriel was a promise made to my wife early in our relationship. When she moved into my house from her studio apartment, amazed my mortgage payment was less than her rent, she wanted to adopt a dog. I wasn’t as enthused. “There’s too much going on,” I said. “We’ll get one when you’re done with fellowship.”

Fellowship seemed far away. She was a resident then, in year two of what felt like 8,000 years of training. That meant a paucity of free timeshe regularly pulled 30-hour shiftsand a tremendous amount of high-interest debt. Her med school loans were more than double the outstanding balance of my mortgage.

A List of Things Susan Lucci Finds Glamorous

Last month, we embarked on what I called a beautiful literary journey through the life of Susan Lucci. Having recently written about several of her made-for-TV movies (with more reviews still to come)and having been an All My Children viewer during the days of Erica Kane’s daughter Bianca’s overwrought coming-outI was curious about her 2011 memoir, All My Life.

It’s a guarded autobiography, padded by flowery, repetitious gushing (about everyone from Regis Philbin and Marvin Hamlisch to private drivers and her family’s treasured nanny) that holds readers at arm’s length. She references this in the first chapter of the book, when discussing her roots:

I believe in mystery. I am drawn to it and am very comfortable being surrounded by it. Maybe that is part of why I chose to keep an air of mystery over my own life as I stepped into the limelight years later. Maybe.

susan lucci, all my life: A memoir

At times her relentless cheerfulness, humility and gratitude lend the volume a MadLibs quality. The word “wonderful” appears at least 35 times; “beautiful” 25. Here is a full accounting of things she calls “gorgeous”:

Introducing the Review Index

Live footage of “Garbage Day!” guy taking a gander at this site.

While watching tennis earlier (it’s the opening days of the Miami Open), I created a new page that indexes all the reviews I’ve written under the Cranky Lesbian moniker. For this endeavor I created an accompanying graphic with the tagline “Garbage Day!”, a nod to one of the most ridiculous scenes in movie history. This perhaps cements that I’ll only ever write about trash here.

Just for kicks, when I was done with that I experimented with Canva and created this janky-looking graphic promoting a future post. Would it have looked better with tiny banjos on either side of the subheading? I was afraid of doing anything that might’ve made Burt and Loni look tacky.

Rent-a-Cop: Burt and Liza’s Forgotten Masterpiece

Burt and Liza are under attack by critics, and a crazed killer, in Rent-a-Cop.

The ’80s were a rough decade for Burt Reynolds and Liza Minnelli, with 1988 proving something of a nadir for them both. Not only was Rent-a-Cop a critical and commercial flop, Reynolds had a second bomb with Switching Channels less than two months later. Minnelli’s year was arguably more disastrous, resulting in a Worst Actress Razzie win for her work in Cop and Arthur 2: On the Rocks. All of this makes Rent-a-Cop sound somewhat better, and worse, than it actually is.

Before we get into the plot, let’s take a moment to remember a bit of ’80s movie trivia. Just weeks before Rent-a-Cop was given its ignominious January theatrical release, Nuts received a prestige December debut. Barbra Streisand played a hooker on trial for murder in that Martin Ritt film, an unsatisfying mess that nevertheless garnered a few Golden Globe nominations. I would argue that in the battle of prostitution movies starring non-competitive EGOT honorees, Minnelli made the more enjoyable picture.

PinkNews, Queer Hikers, and Existential Despair


Whoever tweeted this for PinkNews needs to get off my lawn.

When I think of “cosplay queers,” who in my cranky opinion are overrunning the Internet and sucking all the fun, and air, out of the gay community, I think of content like this PinkNews tweet. Who else could be the audience for this crap?

Accompanying a photo of people gathered in nature you have the tweet (and headline) “Meet the queer hikers proving the great outdoors isn’t just for cis, straight, middle class folk.” Does an army of “yas, queen!”/oppression Olympics bots control this clickbait farm? How do the writers feel about these assignments?

Imagine all the minds that’ll be blown when someone lets readers in on another gays-in-nature “secret”: the storied history of gay men and parks! Or lesbians and camping!

Love Note, an ’80s Teen Romance Costarring Jesus

Screen shot from the film Love Note (1987).
Craig Bierko and Sally Murphy fall for each other, and Jesus, in Love Note.

Watching Love Note, a 1987 Christian movie for teens that plays like an episode of Highway to Heaven, you see hints of things to come for lead actor Craig Bierko. Craig Johnson, his fast-talking salesman of a high school student, isn’t so different than Harold Hill, the slick Music Man role for which Bierko was Tony-nominated 13 years later. In Love Note, he’s simply peddling a different product than Hill—salvation.

Our introduction to this precocious teen gives us a lot to digest. Standing before his classmates for a speech assignment, he recites a well-oiled (but still squeaky) spiel that sounds like the work of a middle-aged “How do you do, fellow kids?” youth pastor. It kicks off with a knee-slapper of an anti-choice joke:

Craig: Good morning, and welcome to the morning edition of Point of View. My name is Craig Johnson and I’ll be your host for this morning’s controversy. I was gonna talk about abortion, but, uh, homicide seems like a real ugly way to start the day.

[Classmates laugh appreciatively]

Love Note (1987)

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